News
Film Program: The Earth We Breathe
The Isamu Noguchi Foundation and Garden Museum9-01 33rd Road (at Vernon Boulevard) Long Island City, New York 11106
Sunday, July 21, 20244 pm–5:30 pm
$16 general / free for members
Follow the link
In conjunction with the exhibition Toshiko Takaezu: Worlds Within, visitors are invited to a film program in the Education Studio (Level C) featuring five filmmakers from across Hawaiʻi, Okinawa, and the Japanese Hawaiʻian diaspora. These experimental non-fiction and narrative short films contemplate the complexities around land, belonging, and occupation across oceanic expanses, generations, and histories and expand upon the themes of earth, body, sound, and spirituality. The 60-minute screening of short films will be followed by a 30-minute discussion and Q&A with Curator Kate Wiener and artist Maya Jeffereis. The program fee includes admission to the Museum.
Leilehua Lanzilotti, the sky in our hands, our hands in the sky (excerpt), 2023, 3 minutes
the sky in our hands, our hands in the sky (2023) merges hidden sounds within Takaezu’s closed forms with images of Hawaiʻi Island, creating a visual and sonic meditation on a living, breathing landscape.Leilehua Lanzilotti is a Kanaka Maoli composer, multimedia artist, and curator whose practice explores radical indigenous contemporaneity, integrating community engagement into the heart of projects. By world-building through multimedia installation works and nontraditional concert experiences/musical interventions, Lanzilotti’s works activate imagination around new paths forward in language sovereignty, water sovereignty, land stewardship, and respect. Uplifting others by crafting projects that support both local communities and economy, the work inspires hope to continue. leilehualanzilotti.com
Toshiko Takaezu, Yu-Mé, c. 1972, 5 minutesYu-Me (1972) is a dream-like artist film and unconventional self-portrait through a visual journey across the surface of Takaezu’s earthenware pot, resembling an aerial survey over vast landscapes.
Toshiko Takaezu (1922–2011) was instrumental in the post-war reconceptualization of ceramics from the functional craft tradition to the realm of fine art. Following the utilitarian vessels and pots of her early years, the artist progressively abstracted her forms to arrive at her signature rounded, closed form. The enclosed space—as metaphor for the human spirit, or as an evocation of its own micro universe—is unseen yet still has a powerful and mysterious presence. Today, her home and studio, established in 1975 in Quakertown, New Jersey is preserved as the Toshiko Takaezu Studio and continues to be used as a creative workplace by students and artists alike.
Chikako Yamashiro, Mud Man, 2017, 26 minutes Mud Man (2017) tells a story of a community visited by bird droppings falling from the sky like clumps of mud, weaving together sound, memory, and inheritance with questions of autonomy, sovereignty, and occupation.
Chikako Yamashiro, Mud Man, 2017, 26 minutes
Mud Man (2017) tells a story of a community visited by bird droppings falling from the sky like clumps of mud, weaving together sound, memory, and inheritance with questions of autonomy, sovereignty, and occupation.
Chikako Yamashiro engages with political and social histories of Okinawa to create haunting works drawing on oral accounts. Her work reveals lesser-known aspects of Okinawa’s contemporary reality, while questioning dominant historical accounts of Japanese and American occupation of the islands. The site of fierce battles between the United States and Japan at the end of World War II, Okinawa still has a high concentration of American military bases, occupying around twenty percent of the land—despite the wish of many of its natives. Yamashiro’s work spans performance, filmmaking and photography, employing bodies as vehicles through which to carry stories from marginalized voices, bodies and souls from Okinawa, through uniquely poetic imaginings.
Maya Jeffereis, Fields Fallen from Distant Songs, 2023, 11 minutesFields Fallen from Distant Songs (2023) brings together archival images of colonial Hawaiʻi with hole hole bushi songs sung by Japanese immigrant sugarcane plantation workers to consider the legacies of extraction, migration, and displacement.
Maya Jeffereis, Fields Fallen from Distant Songs, 2023, 11 minutes Fields Fallen from Distant Songs (2023) brings together archival images of colonial Hawaiʻi with hole hole bushi songs sung by Japanese immigrant sugarcane plantation workers to consider the legacies of extraction, migration, and displacement.
Maya Jeffereis is an artist and filmmaker whose work in video, performance, and installation seeks to expand upon overlooked histories and fill in archival gaps with counter narratives, personal histories, and speculative fictions. Jeffereis’s work has been presented in the United States and internationally, including the Hirshhorn Museum and Sculpture Garden, Brooklyn Museum, and Queens Museum, among other institutions. She teaches art, art history, and Asian American Studies at Parsons School of Design at The New School and Hunter College (CUNY). She earned an MFA from Hunter College and BA and BFA from the University of Washington. mayajeffereis.com
Christopher Kahunahana, LĀHAINĀ NOON, 2014, 15 minutesLĀHAINĀ NOON (2014) merges sun, shadow, and unconscious desires during the solar phenomenon of Lahaina Noon when a person’s shadow disappears.
Christopher Kahunahana, LĀHAINĀ NOON, 2014, 15 minutes
LĀHAINĀ NOON (2014) merges sun, shadow, and unconscious desires during the solar phenomenon of Lahaina Noon when a person’s shadow disappears.
Chris Kahunahana is an award-winning Hawaiian filmmaker and Sundance Institute Feature Film and Native Lab Alumni. He is the writer, producer, and director of WAIKIKI, which has been recognized with multiple awards including a Grand Jury Award for Best US Narrative Feature at The Los Angeles Asian Pacific Film Festival, Best Feature Grand Prize at Flickers Rhode Island International Film Festival, and Best Made in Hawaii Feature Film at the Hawaii International Film Festival. His 360° film PIKO was exhibited in the Honolulu Museum of Arts, Artist of Hawaiʻi 2021, and his multimedia installation HULI was shown at the Heard Museum, Arizona, 2023. He also directed “A Day in the Life,” a short documentary for the Smithsonian Institute’s Asian Pacific American project, and is currently writing AIMAN, a near-future sci-fi centered on Oceanic climate refugees, and is attached to direct a major motion picture.